Margrethe will spend the summer at the Glyndebourne Festival Opera where she will cover the role of First Wood Nymph in Dvorak - Rusalka.
She will return to Theater Erfurt for another season as a permanent part of the ensemble. Repertoire in Erfurt for the 19/20 season will be;
Rimsky-Korsakov - Zar Altan - Zarin Militrissa
Wagner - Lohengrin - Elsa
Mozart - Le Nozze di Figaro - Contessa
Margrethe will make her debut as 5. Magd in Strauss - Elektra at the Royal Opera House, Covent Garden in the spring of 2020. Coductor: Antonio Pappano. Director: Christof Loy.
The Norwegian soprano Margrethe Fredheim won the First Prize at the inaugural Hong Kong International Operatic Singing Competition 2018, chaired by Kiri Te Kanawa.
Margrethe recently made her debut as Mimi in La Boheme with Opera Nordfjord. She currently resides in Germany where she is a permanent member of the ensemble at Theater Erfurt. Her roles here include Micaela (Carmen), Fiordiligi (Cosi fan Tutte), Donna Anna (Don Giovanni), Euridice (Orfeo ed Euridice), Pamina (Die Zauberflöte), Hanna Glawari (Die Lustige Witwe), Marenka (Die Verkaufte Braut), Miss Jessel (The Turn of the Screw) and Sister Rose (Dead Man Walking). Her portrayal of Irmengard in Spontini`s «Agnes von Hohenstaufen» received outstanding reviews in both German and international press (Das OpernGlas, OpernWelt, FAZ, Opéra Magazine).
Margrethe made her solo debut in Universitetets Aula, Oslo in May 2014. Following her debut she has appeared as a soloist with The Cairo Symphony Orchestra, Szczecin Philharmonic, Oslo University Orchestra, Oslofjord Kammerharmoni, Pärnu City Orchestra, Latvian National Opera Orchestra, Ningbo Radio Orchestra and Württembergische Philharmonie Reutlingen. She is a laureate of the Jazeps Vitols Compeition in Riga (2nd Prize 2015). The same year she was a finalist in the Klaudia Taev Competition and a semi-finalist in the International Otto Edelmann Singing Competition in Vienna. In 2014 she won the Mozart Prize at the Wilhelm Stenhammar International Singing Competition and was a finalist at the DEBUT competition in Weikersheim and the 6th China International Voical Compeition (Ningbo). Concert work has brought her to Carnegie Hall, Cairo Opera House and the Kirsten Flagstad Festival.
Opera credits include Frau Fluth in Die Lustigen Weiber von Windsor at Landestheater Coburg and Theater Rudolstadt, Erste Dame in Die Zauberflöte at Tuscia Operafestival, Woglinde in Das Rheingold at Den Norske Opera og Ballett (LidalNorth), Female Chorus in The Rape of Lucretia with the same company, Contessa Ceprano in Rigoletto at Oscarsborgoperaen and Marguerite in Faust with Manhattan School of Musics Opera Studio.
Margrethe holds a performing masters degree from Manhattan School of Music and The Norwegian Academy of Music, and a bachelor of Opera from Oslo National Academy of Arts. Master Class includes work with Thomas Hampson, Benton Hess, Karan Armstrong, Catherine Foster, Robert DeSimone and Judith Haddon. She is a Fulbright Alumni and holds stipends from RWE Dea Norge, Sine Butenschøns Fond and Tom Wilhelmsens stiftelse.